Vale of York compound-bent bow back armchair, with 7 long sticks, 8 short, turned underarms, turned front legs, plain back legs and H stretcher WS 217

Vale of York compound-bent bow back armchair, with 7 long sticks, 8 short, turned underarms, turned front legs, plain back legs and H stretcher  WS 217

A few years ago, I quite accidentally became acquainted with a retired antique dealer who lived in a fine Georgian town house in Grantham. I was fascinated by his tales of seeking out items of furniture in Lincolnshire and South Yorkshire and then often selling them on to the London trade during the 1960's & 70's. However, he had kept several choice items for his own house and he kindly allowed me to take some of them back to my photographic studio to record them. The image above is one chair from his small collection.

You will immediately see that I have taken the picture above from the side and I have done so for a very good reason: it clearly shows the compound bend in the steam bent back bow. There is no record of this technique being used by the Lincolnshire & Nottinghamshire chairmakers but I knew exactly where it had been made as soon as I saw it: namely in the Vale of York. I knew this because I had read an article by Adam Bowett that appeared in the Regional Furniture 2004. 

Front view WS 217

The house in Grantham has now been sold along with its contents and I am just so pleased that I had the enormous pleasure of meeting this gentleman and also being able to record so many of his fine vernacular chairs. This one appears to have every component made from ash wood with the legs through morticed and wedged into the seat. The design is not the most elegant that I have ever seen but it does have huge amounts of rustic charm.

The photo details above show that these images were taken in September 2015 and why they have been on my computer hard drive for over 5 years without being published is hard to explain. It is a great example of true vernacular furniture, such a recognisable design and a tribute to the craftsmen of Yorkshire. Since I took this picture, I must have seen at least half a dozen being offered for sale, mainly through Yorkshire auction houses and not one has ever mentioned Bowett's article and their association with the county.

Short sticks through-mortised and wedged from above WS 217

Underarm turning WS 217

Front leg turning WS 217

© William Sergeant 2021

 

Lincolnshire low bow back Windsor armchair, probably Hubbard Grantham, with 5-piercing fleur de lys and teardrop piercing splat, 6 long spindles, 8 short, crook underarms, straight seat edges, ring and cove front leg turnings with 1 lower ring, plain back legs, crinoline stretcher WS 201

Lincolnshire low bow back Windsor armchair, probably Hubbard Grantham, with 5-piercing fleur de lys and teardrop piercing splat, 6 long spindles, 8 short, crook underarms, straight seat edges, ring and cove front leg turnings with 1 lower ring, plain back legs, crinoline stretcher WS 201

The low profile of the back bow gives this chair a distinctive squat appearance, like no other Lincolnshire chair that I can think of. I knew that they existed as a signed pair are illustrated in published works on vernacular furniture but I had been waiting for years for one to appear on the open market so that I could add it to my collection. It was offered for sale in a Shropshire sale room, with a good description and photos, so I bid with confidence and secured its purchase. After a couple of months the chair was delivered to my home and I was delighted with the overall condition. The seat is of elm, while all other components are made from yew wood with the back legs of ash; a typical combination that is so often found in Lincolnshire best chairs. It has one feature that is so rare on chairs made in the county, that is the incised scratch mark around the edge of the back bow.

This chair is not stamped by the workshop owner but the two that appear in Dr B D Cotton's The English Regional Chair (1990) at figures NE24 and NE25 on p. 118 were stamped clearly HUBBARD GRANTHAM, so I am in no doubt that this chair was produced in the workshop of Richard Hubbard of Little Gonerby about 1807 - 1820.

© William Sergeant 2019

Medium bow back Lincolnshire Windsor spindle back armchair stamped AMOS GRANTHAM, with 9 long spindles, 8 short, crook underarms, straight seat sides, ring and cove front leg turnings, with 1 lower ring, plain back legs, H stretcher with darts WS 190 & WS 189

Medium bow back Lincolnshire Windsor spindle back armchair stamped AMOS GRANTHAM, with 9 long spindles, 8 short, crook underarms, straight seat sides, ring and cove front leg turnings, with 1 lower ring, plain back legs, H stretcher with darts WS 190

This is a typical early Lincolnshire windsor armchair. Plain back legs with the front ones having the design of a thin ring above an exaggerated shallow cove, an all-spindle back support and curved underarm supports. This one has an ash seat with yew for the other components. I believe that this is the very essence of a chair that was made in the first period of Windsor chairmaking in the county, namely 1800-1812. 

The name stamp on the edge of the seat is AMOS GRANTHAM, so we know exactly in whose workshop it was made. It came from a house just outside Newark and it had been in the family for many years. It was in a slightly distressed state when I brought it at auction but I got a restorer to make it usable again.

John Amos was a wheelwright and as such ran a business for the first 15 years of his working life making wagons and carts for farmers and merchants as well as servicing ones that were already in use. It was not until 1809 that the first advert by him was posted in the paper searching for journeymen chairmakers. All of the chairs that I have seen from his workshop are of the second period type, which I believe started to be produced in about 1812 but I was not surprised to seen this design by him. This leads me to think that this chair was probably made in the first 3 years of his manufacture, namely 1809-1812.

Bench holdfast marks on medium bow back Lincolnshire Windsor spindle back armchair WS 190 stamped AMOS GRANTHAM WS 189

This picture shows part of the underside of the armbow of this AMOS chair. You can see quite clearly the small areas of cross-hatching that are impressed into the surface of the wood. This was caused by bench holdfasts. These have been used by woodworkers since ancient times and are used, as their name suggests, to hold a piece of wood firmly to the workbench. They are the shape of a swan's neck, with the neck part slipped down a hole in the bench and the crooked head part tapped with a mallet to spread the bend and hold the wood secure. They can easily be released with a sideways tap. 

For the holdfast to grip the wood better, there is cross-hatching filed into the end. This is what has left the marks above. The length of yew wood would be soften in the steam box and the placed against the profile form that it is to be moulded around and once bent, it is held firmly in place while it cools by a series of holdfasts. 

© William Sergeant 2017 and 2020

Medium bow back Lincolnshire Windsor armchair stamped BRAND SLEAFORD with 9 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings, plain back legs, crinoline stretcher, WS 192/199

Medium bow back Lincolnshire Windsor armchair stamped BRAND SLEAFORD with 9 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings, plain back legs, crinoline stretcher, WS 192/199

At first glance this is a typical Lincolnshire spindle back Windsor armchair. It is stamped BRAND SLEAFORD. The solid thick seat is fashioned from elm, the front legs are made out of cherry and the back legs turned from ash. Every other component is made from yew wood. What makes this chair slightly unusual is the turnery design to the front legs - the element of added decoration. There is a double ring turning above the cove and towards the base of the leg the turnery design is a double ring again. This striking feature is almost identical to the Shirley chair in WS 198.

Chairs by this maker are very rare. This one is the first that I have handled after many years of searching and I was pleased to add it to my collection. I had come across John Brand before - see WS 163 and 164. That chair with the seat stamped BRAND and MARSH proves that they must have been working together for a while.

The tradition of chair making in Sleaford has three names which standout and often appear in the directories and censuses, namely MARSH, BRAND and MASON. While many MARSH stamped chairs have been recorded, very few BRAND stamped chairs appear on the market and not one single chair stamped with MASON has ever been found.  After many years of searching, I was so pleased to find this BRAND chair advertised on the internet by a dealer in the south of the county. We agreed on a price and as he was about to visit the Newark Fair, he offered to deliver it as well.

© William Sergeant 2017 and 2020

Medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM with 3-piercing fleur de lys upper splat, teardrop pierced lower splat 6 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings x 4, H stretcher with darts WS 198

Medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM with 3-piercing fleur de lys upper splat, teardrop pierced lower splat 6 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings x 4, H stretcher with darts WS 198

Signed chairs by William Shirley senior are so rare that in all the years that I have been searching for Lincolnshire chairs, this is the very first signed armchair that I have ever come across.  When it appeared at the local sale room in Grantham in June 2017, I decided that it should join my collection. You may have noticed that a side chair already exists on this blog, WS 84, and I have another signed SHIRLEY side chair in my collection which is remarkably similar to it. Beside those three, very few have been recorded. There's an armchair in the Geffrye Museum and I know of a couple more. The side chair at figure NE 53 at p. 123 Dr B D Cotton's The English Regional Chair (1990) may be an example but is merely stamped SHIRLEY. This minimal number of stamped Shirley Grantham chairs strikes me as slightly odd as he was a chair maker for some considerable time in Grantham.

William learnt his trade in the workshop of the Taylors, first with John during the years 1808-1811 and then with his younger brother William during the years 1811-1815 after which he became Freeman of Grantham. He advertises in the Stamford Mercury in April 1818, seeking an apprentice and a dish turner. He describes himself as a Turner, Windsor and Fancy and Spinning wheel maker of Westgate Grantham. He places a similar advert in June 1819, giving his address as No. 11 Westgate Grantham. This is of significance as it is the same address as William Taylor used when he advertised in the same paper in Dec 1811, which would indicate that he had moved into the premises once occupied by his second master. He marries in 1816 and at the birth of his son Frederick in 1824, he is described as a chairmaker of Southwark. Also, at the birth of his son George in 1828 he is noted as being a chairmaker of Old Kent Road. He advertises twice in 1834 using the address of Westgate Grantham again.

The chair pictured above is typical of a good quality Lincolnshire chair with underarm support pattern that is used by so many makers. The interesting feature is the design motif for the front legs, it has an extra ring above the usual ring and cove decoration as well as an extra lower ring. I wonder if this a nod to the Victorian trait of incorporating more detail into their furniture and getting away from the classical lines of the Georgian period? The middle parts of the H stretcher are fatter than many Grantham examples.

The seat and the stamp may be admired below.

Fine elm seat of medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM WS 198

 SHIRLEY GRANTHAM stamp on upper rear of seat of WS 198

© William Sergeant 2017

Lincolnshire medium bow back Windsor armchair, stamped I * TAYLOR GRANTHAM with 9 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 211

Lincolnshire medium bow back Windsor armchair, stamped I * TAYLOR GRANTHAM with 9 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 211

Regular students of Lincolnshire Windsor chairs will have seen the image of this chair before. It is simply remarkable. It appears on p. 138 of Thomas Crispin's The English Windsor Chair (1992) and again in Dr B D Cotton's The English Regional Chair (1990) at figure NE12 on p. 113. Both books show the name stamp of I*TAYLOR which relates to the eldest son of Roger and Sophia Taylor, one John Taylor. Those of you who have seen my lecture at Conway Hall on Youtube will know that he made chairs for only three years, from February 1808 until January 1811, after which he became a mail coach guard for 31 years. The only other recorded I*TAYLOR stamped chair passed through the now closed auction room of Neale's of Nottingham in 2002. 

Detail of upper rear of seat of Lincolnshire medium bow back Windsor armchair, stamped I * TAYLOR GRANTHAM

WS 204 on the left, WS 211 on the right

You may also wish to compare this chair to yesterday's post WS 204, which has no makers mark, but I am sure both were made by the same hand.

The extraordinary fact is that this chair appeared on eBay recently and was spotted by a fellow enthusiast (one Julian Parker) who kindly notified me. The young lady in London selling the chair had seen the name stamp but had been unable to decipher the name. She had acquired the chair off Greenwich market at least 15 years before, besides that there was no other provenance.

© William Sergeant and Julian Parker 2020

Lincolnshire medium bow back Windsor armchair, with 9 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 204

Lincolnshire medium bow back Windsor armchair, with 9 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 204

My attention was drawn to this chair, that was advertised on Instagram, by my fellow furniture enthusiast Tim Garland. From the image by the vendor, it was obvious that it was in poor condition with some serious structural issues - also it was said to be possibly from Welsh borders. I recognised it as a typical early spindle back Lincolnshire Windsor armchair, dating from about 1815. There was no indication whether it was marked by the workshop owner. After having completing the deal, the chair duly arrived and the breakages were even worse than I had initially thought, but no matter, as it was soon in the capable hands of Tim. He repaired and restored the chair and the result can be seen in the picture above. He made a splendid job, and we both felt a deep sense of satisfaction of having rescued a valuable historical piece of vernacular furniture.

The maker of this chair remained a mystery to me, but as you may have heard me say before, the maker always leaves his finger prints all over his chairs, if you just know where to look. The give away was the incised ring around the back legs to indicate where the hole needed to be drilled to take the side stretcher. The only signed chairs, that have this feature, are those that are signed TAYLORS, so those made in the workshop of William Taylor. There remains the possibility that those made in his brother's workshop (John), could have the same implicit mark but as I had never handled one, and am most unlikely ever to find one, so the final identity of the marker remains uncertain.

© William Sergeant 2019

Lincolnshire Windsor bow back medium armchair stamped TAYLORS GRANTHAM with 3 piercing fleur de lys upper splat, teardrop pierced lower splat, 6 long spindles, 8 short, crook underarm supports, bell-shaped seat, with cut-and-shut Nottinghamshire 3 ring leg turnings with vase-shaped feet and crinoline stretcher WS 206

Lincolnshire Windsor bow back medium armchair stamped TAYLORS GRANTHAM with 3 piercing fleur de lys upper splat, teardrop pierced lower splat, 6 long spindles, 8 short, crook underarm supports, bell-shaped seat, with cut-and-shut Nottinghamshire 3 ring leg turnings with vase-shaped feet and crinoline stretcher WS 206

Thanks to former Regional Furniture Society member, James Drake, for allowing me to record and publish an image of this chair, stamped TAYLORS GRANTHAM. I would ask you to study the picture of this chair closely. It certainly took me by surprise: there is something clearly wrong with it. The legs, with the three ring turning motif are not something that I would associate with an early Lincolnshire Windsor armchair, and sure enough, on close inspection it soon became obvious that legs belong to another chair, probably from Nottinghamshire. There has been some serious damage to this chair as the underneath of the seat shows, while the legs are quite a different colour to the rest of the chair. It's a splendid example of a 'cut and shut' chair! However, I am sure the seat and every component above are by William Taylor's workshop in Grantham, as the name stamp would indicate.

© William Sergeant 2019

Lincolnshire high back bow back Windsor armchair with 5-piercing fleur de lys upper splat with lower diamond, double pierced lower splat, 6 long spindles, 8 short, no underarms, straight seat sides, ring and cove front leg turnings with1 lower ring x 4, crinoline stretcher WS 153 & WS 152

Lincolnshire high back bow back Windsor armchair with 5-piercing fleur de lys upper splat with lower diamond, double pierced lower splat WS 153

Lincolnshire high back bow back Windsor armchair with 5-piercing fleur de lys upper splat with lower diamond, double pierced lower splat WS 153b

Another Windsor chair of little value, mainly due to the huge fracture in the armbow (which can not be seen in these pictures) and the missing underarm supports. However, it is not without some interesting points even though the maker did not stamp it. The seat is made from ash while the rest of the chair is made from yew wood. Every feature would suggest a Grantham maker but without the underarm supports for some design clues it is difficult to work out who made this chair. However, one of the benefits of keeping pictures of stamped chairs is that they make a hugely important reference library.

If you have read my few lines under picture WS 131 you will have noted that I normally take no notice of the design of the cut out fret work on back splats. However the only exception to that rule is a tiny feature that appears on several AMOS stamped chairs. Compare this back splat to the signed chair in picture WS 132 and I will leave you to draw your own conclusions.

© William Sergeant 2015 and 2020.

Medium bow back Lincolnshire Windsor armchair stamped Brand Marsh Sleaford with 9 long spindles, 8 short, crook underarm supports, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 164 & WS 163

Medium bow back Lincolnshire Windsor armchair stamped Brand Marsh Sleaford with 9 long spindles, 8 short, crook underarm supports, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 164 

Medium bow back Lincolnshire Windsor armchair stamped Brand Marsh Sleaford  WS 163

Many thanks to Robert Williams, a fellow collector of vernacular furniture, for alerting me to the sale of this chair in Bury St. Edmunds. I had missed the pre-auction advertisement and if it not had been for the diligence of Robert this chair could have slipped back into oblivion for ever! What makes this chair so special is that it is stamped BRAND MARSH SLEAFORD, which was fortunately mentioned in the auction notes on this lot. The Sleaford chairmakers John Brand and Thomas Marsh are well known, with chairs stamped by them individually having been recorded, but this is the very first time that one has turned up with both names, indicating that they worked together in partnership for a while.  

Both appear in Pigot's Directory for 1822, John Brand as 'turner & chair maker', Thos. Marsh as 'Windsor chair maker'. Marsh died in April 1844 aged 67 and Brand on 26 March 1850 'advanced in years', according to the Stamford Mercury.  John Brand is shown in the 1841 census as then aged 55, although ages in that census are often not accurate. He seems to have been baptised in 1785 or 1786 and was thus a handful of years younger than Thomas Marsh.

I got in touch with the auction house after the sale and asked for my details to be passed on to the purchaser. In due course we made contact and I travelled to Suffolk to meet the new owner, who now appreciates the significance of this chair and will be a good custodian. I set up an improvised photographic studio in the kitchen and the result can seen above.

Description: thick elm seat with chamfered under-edges grain running from front to back. Bell shaped in plan. Cherry spindles, 8 short and 9 long, one of which is broken. Very delicate bent underarm supports secured by screw underneath. Yew wood front legs with ring and cove decoration. Plain back legs, one of yew and one with an inappropriate later replacement. Yew crinoline stretcher with two ash short connecting stretchers to back legs. There are no securing pins in the top of the back bow unlike Marsh signed chairs were they are always present. 4 pins in the armbow, two to secure the backbow and two to secure the frontmost spindles. Seat dimensions : 19 5/8 by 15 3/16 inches. A fine example of an early Lincolnshire Windsor chair.

© William Sergeant 2015 and Julian Parker 2020

Lincolnshire high back bow back Windsor armchair by Amos Grantham with 5-piercing fleur de lys upper splat with lower diamond, double pierced lower splat, 6 long spindles, 8 short, crook underarms, straight seat sides, ring and cove front leg turnings with1 lower ring, plain back legs, crinoline stretcher WS 132

Lincolnshire high back bow back Windsor armchair by Amos Grantham with 5-piercing fleur de lys upper splat with lower diamond piercing, double pierced lower splat, 6 long spindles, 8 short, crook underarms, straight seat sides, ring and cove front leg turnings with1 lower ring, plain back legs, crinoline stretcher WS 132

This superbly photographed chair is in the collection of Tom Wells and he kindly sent this picture and gave me permission to reproduce it here.

Please note that this chair has the maker's name stamped on the seat edge which is not very common amongst for these Grantham makers who tend to favour the upper rear of the seat in the centre just below the lower splat.

© Tom Wells and William Sergeant 2013 and 2020 

Lincolnshire comb back Windsor armchair, with curved crest rail, turned stiles, 7 long spindles, 8 shirt, turned underarms, bell-shaped seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher with 6 bobbin turning WS 101

Lincolnshire comb back Windsor armchair, probably by Marsh of Sleaford WS 101

The Marsh that got away. This lovely chair was offered at auction in the autumn of 2012 just to the south of London. I was not able to view but was happy to bid on the picture alone. A signed chair by Marsh of Sleaford appears at figure NE133 on p. 135 of Dr B D Cotton's The English Regional Chair (1990) and I was sure that this was by the same maker; the row of turned bobbins on the cross stretcher and the underarm turnings are a hallmark of this maker. Unfortunately I ended up as the underbidder!

© William Sergeant 2012 and 2020

3 Lincolnshire bow back spindle back Windsor armchair by Taylor, Marsh and Hubbard with 8, 9 and 9 long spindles, 6, 8 and 6 short, turned underarm x 2 crook underarm x 1 straight seat sides x 2 bell shaped seat x 1, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher x 3 darts x 2 WS 114

3 Lincolnshire bow back spindle back Windsor armchairs by Taylor, Marsh and Hubbard with 8, 9 and 9 long spindles, 6, 8 and 6 short, turned underarm x 2 crook underarm x 1 straight seat sides x 2 bell shaped seat x 1, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher x 3 darts x 2 WS 114

These three chairs are all signed by their maker: left, Taylor of Grantham; middle, Marsh of Sleaford; right, Hubbard of Grantham. They just go to show how popular these spindle back chairs were in Lincolnshire. There are many similarities, namely: all have ring and cove front leg turnings and plain back legs, they are made out of ash except two outside ones which have elm for their seats.

© William Sergeant 2020

Lincolnshire low bow back Windsor armchair with 3 x quatrefoil pierced splat, 6 long spindles, 8 short, crook underarm supports, straight seat sides, ring and cove front legs, plain back legs, crinoline stretcher WS 113

Lincolnshire low bow back Windsor armchair with 3 x quatrefoil pierced splat, 6 long spindles, 8 short, crook underarm supports, straight seat sides, ring and cove front legs, plain back legs, crinoline stretcher WS 113

This chair was brought to a talk that I gave about chairmaking in Caistor by a local resident. It was in excellent original condition, just in need of a good dust and wax. The seat is of elm and the rest of yew except for the two back legs which were ash. The ring and cove front leg turnings and plain back legs would point towards it being made in Lincolnshire and the shape of the seat is typical of Grantham. The crinoline stretcher and the crook underarm supports suggest a date of of early 1800s. The quatrefoil piercings on the splat are similar to chairs shown in Dr B D Cotton's The English Regional Chair (1990) at Plate 12 on p. 110 made by John Amos and William Taylor of Westgate, Grantham at figure NE 28 on p. 118.

I am sorry about the carpet but it was the best I could do in Caistor Town Hall. Just take a moment to study this chair as it is probably nearly 200 years old and of a type that rarely appears on the market.

Further chairs with quatrefoil pierced splats may be seen in yesterday's post, WS 184 and also this post. 

© William Sergeant 2013 and 2020

Lincolnshire medium bow back Windsor armchair stamped TAYLORS with quatrefoil and fleur de lys splat, 6 long spindles, 8 short, crook underarms, bell shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 194

Lincolnshire medium bow back Windsor armchair stamped TAYLORS with quatrefoil and fleur de lys splat, 6 long spindles, 8 short, crook underarms, bell shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 194

A long time ago, a fellow collector of Lincolnshire Windsor chairs had mentioned to me that he had a couple of stamped Taylor chairs in his collection. I had never seen them and wasn't overly interested as I have my own chairs signed by the same maker. However, on a recent visit to his house, I noticed this chair above - I knew that it was made by William Taylor who signed his chairs TAYLORS. I commented that this must be a new addition, whereon he replied that he had told me about it years ago. I had misinterpreted what he had said; I thought he meant Taylor not TAYLORS! The difference is subtle but so important.

I know that William Taylor signed chairs from his workshop as he states the same in an advert in the Stamford Mercury- WS 166 here - and that his signed chairs are very rare. My research has revealed that he left the security of his mother's workshop in December 1811 to set up his own business; at the same time he took on the apprentice William Shirley senior who was halfway through his 7-year tuition having started it under John Taylor.

This chair encapsulates so many features regarding my research. With the help of Chris Goodwin, who is a descendant of the Taylors of Grantham, I can reveal that William Taylor gave up chairmaking on the 7th October 1815 to work for the Post Office as a mail coach guard, something he did for the next 30 years. This means that this chair can be precisely dated to the 4 years before Oct 1815. The implications of this are profound - no other writer on this subject has been able to confirm when the backsplat and H stretcher were introduced into the design of Lincolnshire chairs but this is firm date evidence.

The chair itself is made entirely out of ash wood, having a thick seat and of robust construction, weighing in at an impressive 15 pounds - this chair was made to last. The backsplat has a particularly pleasing design motif. The seat is flared towards the front to give more room to the front legs which leads to an elegant well-balanced design.

But the most outstanding discovery for me was that this collector had been lucky to purchase two of these chairs, in the same lot, from an auction house in Cumbria.

© William Sergeant 2018 and 2020

Lincolnshire medium bow back Windsor armchair probably William Taylor, with 3 quatrefoil and flea de lys pierced splat, 6 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove front leg turnings, plain back legs, crinoline stretcher WS 165

Lincolnshire medium bow back Windsor armchair probably William Taylor, with 3 quatrefoil and flea de lys pierced splat, 6 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove front leg turnings, plain back legs, crinoline stretcher WS 165

Shaped elm seat, two inches thick , chamfered under edges. Back support all ash wood except cherry splat . Eight short and six long spindles. Distinctive quatrefoil pattern on splat. Four blind square pins on back bow and five on the arm bow let in from the back.

Ash wood front legs with typical Lincolnshire ring and cove decoration, slightly shortened, one with evidence of torn fibres from cleaving blank. One plain ash back leg and one elm replacement leg and two elm replacement short stretchers. Ash crinoline stretcher. Weight : 13 ¼ lbs.

This chair was made by William Taylor, of that I have no doubt. If you look in Dr B D Cotton's The English Regional Chair (1990) at figure NE 28 on p. 118 you will see an identical chair which is signed Taylors Grantham. That is the stamp of William Taylor of Grantham. Also on the original rear leg there is an incised mark to show where the hole centre is to be drilled for the cross stretcher. I have only seen one chair with this constructional aid before and that is on chair WS 126 and if you look at that chair you will see that it is also signed Taylors Grantham.

© William Sergeant 2015 and 2020

Lincolnshire medium bow back Windsor armchair stamped TAYLORS GRANTHAM with fleur de lys splat and 3 teardrop piercings with 6 long spindles, 8 short, turned underarm supports bell-shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 126

Lincolnshire medium bow back Windsor armchair with fleur de lys splat and 3 teardrop piercings with 6 long spindles, 8 short, turned underarm supports bell-shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 126

This chair appeared online at an East Midlands auction in May 2014. The picture was of good quality and it took no time to realise that it was an early Lincolnshire chair. It had obviously been reduced in height but everything looked original. I was not able to get to the viewing so followed the auction on the internet; I was convinced that I knew who the maker was. When the lot came up there was very little interest and soon the chair was knocked down to me for not very much. A couple of days later I travelled over to collect the chair and had the chance to view it for the first time. It was my lucky day! Not only was it in good condition but the maker was clearly stamped on the seat; either the auctioneer had failed to see the impressed name or he saw no reason to mention it in the sale description. But what totally amazed me was it had been made by a different maker in a different town from the one that I had expected. TAYLORS GRANTHAM means that the chair was made in the workshop of William Taylor, whose remarkable 1813 advertisement in the Stamford Mercury is discussed here.

WS 127 - TAYLORS GRANTHAM stamp on WS 126

© William Sergeant 2014 and 2020

Lincolnshire medium bow back Windsor armchair by Nicholas Allen of Boston with 9 long spindles, 8 short, turned underarm supports, bell-shaped seat, 2 ring front leg turnings with vase feet, plain back legs with vase feet, H stretcher with dart turning

WS 174 Lincolnshire medium bow back Windsor armchair by Nicholas Allen of Boston

Arm turning detail, Lincolnshire medium bow back Windsor armchair by Nicholas Allen of Boston

Nicholas Allen, son of Nicholas Allen and Mary Allen neé Needlar was baptised on 17 June 1764 at Stainton le Vale in the Lincolnshire Wolds, 6 miles north east of Market Rasen and 6 miles south east of Caistor. On 6 March 1835 the Stamford Mercury recorded the 

"Death at Boston on Wednesday last aged 71 Mr Nicholas Allen, chair turner of Wide Bargate."

The St Botolph's Boston burial register shows that he was buried on 9 March and he is recorded as being 70 years old.

Nicholas was the second of twelve children

There appeared in the Stamford Mercury on Friday 6 August 1790 this advertisement: 

"WANTED IMMEDIATELY, A JOURNEYMAN PIN-CHAIR and SPINNING-WHEEL MAKER.—A good Hand may have constant Employ, and good Wages, by applying to NICHOLAS ALLEN, Chair and Wheel-Maker, of Boston, Lincolnshire N.B, Letters (Post paid) duly answered."

"Nicholas Allen, Pin, Chair & Spinning-wheel maker" is his entry in The Universal British Directory 1791.

On 17 May 1790 the register of St Botolph's Church, Boston contains this entry

"This marriage was solemnised between us 

Nicholas Allen

Frances Harrison + Her mark

In the presence of Us

James Hildred H his mark

John Allen"

The Lincolnshire Marriage Licence Bonds and Allegations reveal that Frances was a widow.

As their son John was baptised at St Botolph's on 27 November 1790 just over six months' later there may have been an element of haste over the wedding.

Masters & Apprentices County Series Vol IR 1/66 Folio 179/52 shows an entry in 1793 as follows: "Master: Nicholas Allen, Turner. Apprentice: Wm Haw 1 16 May 93. 7 yrs fm date. Sum paid £7 7s 0d. Duty paid £0 3s 9d. Date Duty Paid 16 May 1793. Date entered 31 July 1793. Collector: Richd Gibbeson Lincolnse."

On 10 June 1803 the Stamford Mercury advertised:

"To Pin Chair-makers and Bottomers. WANTED, a JOURNEYMAN to each of the above Businesses; who will meet with constant Employment, and liberal Wages will be given, by applying to NICHOLAS ALLEN, Chair and Spinning-wheel-maker, Boston, Lincolnshire. 10th June 1803."

On 11 March 1808 in the Stamford Mercury appeared:

To PIN and FANCY CHAIR-MAKERS . WANTED immediatelv, Two Journeymen Chair-makers Good hands will meet with constant employ and liberal wages by applying to NICHOLAS ALLEN, chair-maker and job turner, Boston, Lincolnshire.—Letters to be post paid. March 10th 1808."

Stamford Mercury - Friday 16 November 1827 contained the following sale:

"BOSTON, Lincolnshire. To be SOLD by AUCTION, At the Red Lion Inn in Boston, Wednesday the 28th day of November instant, at Six o’clock in the afternoon, subject to such conditions of sale as shall be then and there produced, unless previously disposed of by private contract, of which due notice will be given; A Valuable Freehold ESTATE, in Boston. 

Lot 1. A Messuage or Tenement, and Grocer’s Shop, in an excellent state of repair, situate in Wide Bargate, near to Pen-street, with Yard, and Rain Water and other conveniences, as the same are now in the occupation of Elizabeth Moody. 

Lot 2. Allotment of Land in the West Fen, (Tithe-free,) in the parochial allotment to Boston East, containing 4A. 2R. 22P, or thereabouts, lying near to Richardson’s Bridge, and abutting on the Horncastle road on the West, well fenced, and in a high state of cultivation, now in the occupation of Nicholas Allen. 

Lot 3. Piece or Parcel Building Ground, situate on the West side of Pen-street, containing about 200 Square Yards, with a Frontage of 21 feet next the street. 

Part the purchase-money may remain on security of the premises, if required.-—For particulars enquire of Mr Nicholas Allen, the owner ; or at the office of Messrs. Thirkill and Rogers, solicitors, Boston."

In Pigot's Directory 1828-39 Nicholas Allen is recorded as a cabinet maker as he is in the 1835 edition.

On 3 July 1829 the Stamford Mercury records: 

"On Thursday the 25th ult., aged 50, the widow Dawney, cowkeeper, of Boston West. Same day, aged 80, Frances wife of Mr. Nicholas Allen, chair turner, of Bargate, Boston." 

and on 6 March 1835 

"Death at Boston on Wednesday last aged 71 Mr Nicholas Allen, chair turner of Wide Bargate."

Nicholas had a much younger brother, Joseph, the twelfth of his parents' children, baptised at Stainton le Vale on 10 July 1785 who died at Boston on 15 February 1848. He is recorded as a Chair and General Turner in Pigot's Directory 1835 at Cheapside, Boston as as a turner in the 1841 census.  When Joseph married Elizabeth Haw, a widow in St Botolph's in 1814, his nephew John, Nicholas and Frances's son, was one of the witnesses.

John appears at Bargate in the 1841 census as a chair maker: he died on 16 September 1841 and was buried at St Botolph's three days later.

One thing that stands out about Nicholas Allen from the above sequence of advertisements is that had chairs such as the one featured in this post not survived, it would never have been known that his workshop made Windsor chairs.  All the advertisements mention pin chairs or fancy chairs and spinning wheels. Pin chairs are rush-seated - hence the advertisement for chair bottomers in 1803.  

Allen seems to have been a resourceful craftsman with a wide range of output. It is rare in Lincolnshire to find a workshop that made both rush-seated and  Windsor chairs.

© Photos William Sergeant 2020 Text Julian Parker 2020

Unstamped low bow back Lincolnshire Windsor armchair possibly by Thomas Simpson of Boston with 9 long spindles, 8 short, crook underarm supports, bell-shaped seat, ring and cove front leg turnings with lower ring, plain back legs, H stretcher with dart turning

WS 168 low bow back Windsor armchair possibly by Thomas Simpson of Boston 

I had seen this chair in Newark and on inspection I found there was no makers stamp but I was taken by its unusual form of having a low backbow. Even though I had not seen this design before I decided to leave it. On revisiting the shop several months later it was still there so I was able to negotiate a good deal and it joined my collection. I saw it as a challenge to see if I could work out who had made it. A thorough examination showed facets running along the length of the long spindles indicating that they had been made with a draw knife. I was even more intrigued to find out who the chairmaker was . Another feature was the fact that the two outside long spindles were secured in place by pins that had been driven right through the backbow and were visible from the front and back . This is a rare constructional technique as most makers only leave the pins showing at the back. 

A good indication of the maker is the dimensions of the seat as they used their own template over many years; on measuring this one and comparing the result with all the signed chairs that I have, only two came close . One of these had pins only showing from the back but the other had pins visible from both sides; could that maker have made this one as well? It was a chair that I have had for several years (WS 123) and while I was handling it I noticed for the first time that it too had short spindles shaped with a draw knife, not turned on a lathe. By closing my eyes and using my fingers to feel, the facets running up the spindles were obvious. These chairs surely had to have been made by the same maker. And the name of that maker is T SIMPSON of BOSTON . The only other chair by this maker that I have photographed but was not allowed to touch is in the  V&A and if you read the description of that chair it mentions that components of that chair were made with a draw knife as well. For more details on this maker then please read my notes on WS 123 - there were in fact 3 of them - Grandfather, father and son.

© William Sergeant 2018 and 2020

Leicestershire curved comb back Windsor armchair by William Rowe of Hallaton, with 14 long spindles, 8 short, crook underarms, bell shaped seat, ring and cove leg turnings, front and back, H stretcher with barrels

WS 170 Leicestershire curved comb back Windsor armchair by William Rowe of Hallaton

It is immediately obvious that whoever made this chair was well versed in his trade and could be considered to be a professional chairmaker. While I have not seen another chair quite like this one there are many pointers to where the maker learnt his trade. For instance, the bell shaped seat (in plan view) is just typical of what I would expect from a Lincolnshire maker as are the rings and cove decoration to the front legs. The seat appears to be made from ash and the rest of the chair from yew wood with spindles for back support - all point to an association to early Lincolnshire chairmakers circa 1800 - 1820.

Pictured below is the undercarriage of the chair.  Some features that point to a different influence of manufacture: one design element that appears and which I have never seen on a Lincolnshire chair is the elegant barrel-shaped lozenges on each of the three stretchers. Identical stretchers may be found on this East Anglian chair. The double ring design at the bottom of the legs is found on Mendlesham chairs and others associated with East Anglia.   - I have never seen these on a signed Lincolnshire chair. 

The back spindles being united with a top comb rail may lead some to think that this is a Lincolnshire trait, which is right as a design feature, but it would be wrong by the date, as these did not appear on early chairs but seem to become fashionable after 1835. The number of spindles in the back are 14 long and 8 short which would appear to be excessively high in total and would add nothing extra to its structural integrity; a typical example would be this chair by Amos that has 9 long and 8 short. The size and shape of the top comb is unique as far as I know as are the two outside long back spindles with their beautifully crafted lengths of different diameters. The fact that the two frontmost short spindles have been let through and wedged into the armbow points to superior craftsmanship and has only rarely been recorded before by me.  The final point to note is that the back spindles holes have been drilled right through the seat; the only Lincolnshire chairs that have this feature are those probably made by Joseph Newton of Fenton which are much earlier, dating from 1725 to 1750.  There are Nottinghamshire chairs recorded with this feature from the Retford and Rockley workshops, particularly associated with William Wheatland.

Finally I come to the name stamp - and I find this a real conundrum: most makers who their own name stamps used them with large letters either on the upper surface of the seat or on a side edge; these were put there with the expressed purpose of advertising their wares. The impressed mark of W Rowe is more typical of a retailer but I do not think this applies in this case. It could be easily explained by the fact that the name stamp is the same one used by Mr William Rowe to stamp his own tools in his chest to identify his possessions.

Research into this maker only shows he was recorded working in Hallaton in Leicestershire in the early 1840's. There is a John Rowe, chair turner in Pigot's 1835 Directory in Hallaton. William Rowe appears as chair maker in the 1841 Pigot's Directory. There are 2 William Rowes in the 1841 Poll Book for the Hundred of Gartree which included Hallaton. There are 3 William Rowes in the 1841 census in Hallaton, one a shoemaker aged 55, one a grazier aged 80 and one aged 65 'of independent means'.

He may well have had a business employing several journeymen, as did the Lincolnshire chairmakers, and one of them could have made this chair after learning his trade as an apprentice somewhere in East Anglia and incorporating the design features common to that area. Alternatively, it may be found after more research that it was Mr Rowe who originally came from EA and learnt his trade there. It may be possible to unravel this dichotomy with time and research in the archives.

Below is a picture of the edge of the seat of this chair, clearly showing the impressed name of W ROWE. There are two impressions on this side, one of which is upside down; there is one on the other edge the right way up. It is more like a tool stamp - unlike the larger ones that the Lincolnshire chairmakers used. To date this is the only stamped chair that has been recorded by this maker.

W Rowe stamp

This chair appears at NE 114 on page 135 of Dr B D Cotton's The English Regional Chair (1990).  I did not take these pictures as this chair has been in the USA for the last 40 years. Some time ago while I was talking chairs with Bill Cotton, I expressed a desire to see this chair. That's when Bill told me that it had been taken overseas many years ago. He did remember that a dealer in Burford sold it and gave me his name; I used the internet to try and track him down but with no success, so I just contacted the antique dealers in Burford until I found one who knew where the original dealer was and gave me his contact details.  I tracked this gentleman down in his retirement home on the South Coast and he remembered selling the chair to an American serviceman and as luck would have it he still had some contact details for him. So after some more hunting around on the internet I eventually made contact with the owner of this chair. He was very pleased to hear of my interest in it and after a short while some photographs that his grand daughter had taken arrived as email attachments - and what a wonderful revelation they were! Many thanks to Del Francis in California for allowing me to use these pictures of his chair; they make a very exciting contribution to the understanding of the vernacular chair making in Eastern England.

© William Sergeant 2014 and 2020