Yorkshire compound-bent bow back Windsor armchair, with 6 long sticks, 4 short, turned underarms, turned legs, and H stretcher WS 219

Most people who visit this chair blog will know that I live in Lincolnshire, which accounts for all the chairs from that county on this site. However, I am fortunate to live very close to the Nottinghamshire border as well as being very close to Newark, which in turn means that it is so easy for me to visit the huge antique fair at the Newark showground several times every year. It has been a spectacular hunting ground for me in my search for vernacular furniture. Some of the dealers have got to recognise me and occasionally ask for my thoughts and advice on various pieces that they have brought along with them. Dave is one such dealer and I always make his pitch my first stop every time I visit the fair. He is from over the Humber Bridge in South Yorkshire and he kindly keeps interesting chairs in his van so that I can have first pick, which I really appreciate. 

Yorkshire compound-bent bow back Windsor armchair, with 6 long sticks, 4 short, turned underarms, turned legs through-mortised and wedged, with H stretcher WS 219

A couple of years ago he produced this chair from the back of his van and because it had its legs reduced in length and had been totally painted white, he said it was mine for a few pounds. I knew it was a Yorkshire Windsor chair and told him so, pointing out that it was worth more than he was asking for it. The rather bizarre negotiation then took place where I was talking the price up while he was happy with the first price that had been mentioned. In the end we met in the middle and we were both more than happy. 

It has the unique feature of the compound steam bent back bow, that is a hallmark of these Yorkshire Windsor chairs. Every component appears to be made from Ash wood with everything being contempory with its making and no replacement parts. If you look closely at the image, you will see that the legs are of differing designs - I have no doubt that it started life like this.

Legs through-mortised and wedged from above WS 219

Long sticks through back bow and wedged from above WS 219

Shortly afterwards, I took it along to Tim Garland in Lincoln to discuss the best way to do some sort of restoration work on it. Using stripper to clean off all the white paint was not an option so it was done the hard way - a little bit of scrapping at a time, so as to remove the white and leave as much as possible of its original green paint. Many thanks to Tim and his wife Vicky for doing such a fine job.

Before the paint was removed WS 219

Before the paint was removed WS 219

Underside of seat WS 219

© William Sergeant 2021

Yorkshire compound-bent bow back Windsor armchair, with 6 long sticks, 2 short, crook underarms, round seat, turned legs and H stretcher, painted green WS 218

Yorkshire compound-bent bow back Windsor armchair, with 6 long sticks, 2 short, crook underarms, round seat, turned legs and H stretcher, painted green WS 218

The retired dealer mentioned in WS 217 allowed me to record this green painted Windsor chair and told me that he had purchased it many years ago from a Sheffield auction house. He had seen others with their distinctive circular seat and believed that they were produced in Yorkshire. 

Side view WS 218

As is obvious from this picture, the back bow also has the compound bend mentioned in Bowett's RF 2004 article, which he points out is unique among British Windsor chairs. He goes on to say " The top bow is round in section and has a two-dimensional or compound curve; it is not only arched, as are all Windsor top bows, but it is also curved backwards. This gives the chair a barrel-shaped back which is amazingly comfortable, and suggests a sophistication of design which belies their often crude appearance."

An identical chair, again made out of ash wood, passed through the sale room of Summersgills in Easingwold (which is a few miles to the Northwest of York) in September 2017 but was simply described as a "Windsor chair". A third identical chair is located in a Museum in the City of York with the title of a local Windsor chair.

Arm terminal WS 218

Round seat, painted green WS 218 

© William Sergeant 2021

Lincolnshire low bow back Windsor armchair, probably Hubbard Grantham, with 5-piercing fleur de lys and teardrop piercing splat, 6 long spindles, 8 short, crook underarms, straight seat edges, ring and cove front leg turnings with 1 lower ring, plain back legs, crinoline stretcher WS 201

Lincolnshire low bow back Windsor armchair, probably Hubbard Grantham, with 5-piercing fleur de lys and teardrop piercing splat, 6 long spindles, 8 short, crook underarms, straight seat edges, ring and cove front leg turnings with 1 lower ring, plain back legs, crinoline stretcher WS 201

The low profile of the back bow gives this chair a distinctive squat appearance, like no other Lincolnshire chair that I can think of. I knew that they existed as a signed pair are illustrated in published works on vernacular furniture but I had been waiting for years for one to appear on the open market so that I could add it to my collection. It was offered for sale in a Shropshire sale room, with a good description and photos, so I bid with confidence and secured its purchase. After a couple of months the chair was delivered to my home and I was delighted with the overall condition. The seat is of elm, while all other components are made from yew wood with the back legs of ash; a typical combination that is so often found in Lincolnshire best chairs. It has one feature that is so rare on chairs made in the county, that is the incised scratch mark around the edge of the back bow.

This chair is not stamped by the workshop owner but the two that appear in Dr B D Cotton's The English Regional Chair (1990) at figures NE24 and NE25 on p. 118 were stamped clearly HUBBARD GRANTHAM, so I am in no doubt that this chair was produced in the workshop of Richard Hubbard of Little Gonerby about 1807 - 1820.

© William Sergeant 2019

Medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM with 3-piercing fleur de lys upper splat, teardrop pierced lower splat 6 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings x 4, H stretcher with darts WS 198

Medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM with 3-piercing fleur de lys upper splat, teardrop pierced lower splat 6 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings x 4, H stretcher with darts WS 198

Signed chairs by William Shirley senior are so rare that in all the years that I have been searching for Lincolnshire chairs, this is the very first signed armchair that I have ever come across.  When it appeared at the local sale room in Grantham in June 2017, I decided that it should join my collection. You may have noticed that a side chair already exists on this blog, WS 84, and I have another signed SHIRLEY side chair in my collection which is remarkably similar to it. Beside those three, very few have been recorded. There's an armchair in the Geffrye Museum and I know of a couple more. The side chair at figure NE 53 at p. 123 Dr B D Cotton's The English Regional Chair (1990) may be an example but is merely stamped SHIRLEY. This minimal number of stamped Shirley Grantham chairs strikes me as slightly odd as he was a chair maker for some considerable time in Grantham.

William learnt his trade in the workshop of the Taylors, first with John during the years 1808-1811 and then with his younger brother William during the years 1811-1815 after which he became Freeman of Grantham. He advertises in the Stamford Mercury in April 1818, seeking an apprentice and a dish turner. He describes himself as a Turner, Windsor and Fancy and Spinning wheel maker of Westgate Grantham. He places a similar advert in June 1819, giving his address as No. 11 Westgate Grantham. This is of significance as it is the same address as William Taylor used when he advertised in the same paper in Dec 1811, which would indicate that he had moved into the premises once occupied by his second master. He marries in 1816 and at the birth of his son Frederick in 1824, he is described as a chairmaker of Southwark. Also, at the birth of his son George in 1828 he is noted as being a chairmaker of Old Kent Road. He advertises twice in 1834 using the address of Westgate Grantham again.

The chair pictured above is typical of a good quality Lincolnshire chair with underarm support pattern that is used by so many makers. The interesting feature is the design motif for the front legs, it has an extra ring above the usual ring and cove decoration as well as an extra lower ring. I wonder if this a nod to the Victorian trait of incorporating more detail into their furniture and getting away from the classical lines of the Georgian period? The middle parts of the H stretcher are fatter than many Grantham examples.

The seat and the stamp may be admired below.

Fine elm seat of medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM WS 198

 SHIRLEY GRANTHAM stamp on upper rear of seat of WS 198

© William Sergeant 2017

Thomas Simpson, Boston stamped high bow back Lincolnshire Windsor armchair with 5-piercing fleur de lys upper splat, double pierced lower splat, crook underarm supports, 2 x 3 long spindles, 2 x 3 underarm spindles, ring and cove front leg turnings & plain back legs, crinoline stretcher WS 207

Thomas Simpson, Boston stamped high bow back Lincolnshire Windsor armchair with 5-piercing fleur de lys upper splat, double pierced lower splat, crook underarm supports, 2 x 3 long spindles, 2 x 3 underarm spindles, ring and cove front leg turnings with lower ring & plain back legs, crinoline stretcher WS 207

Another chair from the collection of James Drake, this time a yew wood chair with reduced legs, but stamped clearly on the edge of the seat: T SIMPSON & Co BOSTON. There is another Simpson Windsor armchair at WS 123, and if you compare the back splat of both, I think that you would agree with me that both were made from the same master pattern, with the main difference being that this chair has a crinoline stretcher whereas WS 123 has an H stretcher with darts.

© William Sergeant 2020

Lincolnshire Windsor bow back medium armchair stamped TAYLORS GRANTHAM with 3 piercing fleur de lys upper splat, teardrop pierced lower splat, 6 long spindles, 8 short, crook underarm supports, bell-shaped seat, with cut-and-shut Nottinghamshire 3 ring leg turnings with vase-shaped feet and crinoline stretcher WS 206

Lincolnshire Windsor bow back medium armchair stamped TAYLORS GRANTHAM with 3 piercing fleur de lys upper splat, teardrop pierced lower splat, 6 long spindles, 8 short, crook underarm supports, bell-shaped seat, with cut-and-shut Nottinghamshire 3 ring leg turnings with vase-shaped feet and crinoline stretcher WS 206

Thanks to former Regional Furniture Society member, James Drake, for allowing me to record and publish an image of this chair, stamped TAYLORS GRANTHAM. I would ask you to study the picture of this chair closely. It certainly took me by surprise: there is something clearly wrong with it. The legs, with the three ring turning motif are not something that I would associate with an early Lincolnshire Windsor armchair, and sure enough, on close inspection it soon became obvious that legs belong to another chair, probably from Nottinghamshire. There has been some serious damage to this chair as the underneath of the seat shows, while the legs are quite a different colour to the rest of the chair. It's a splendid example of a 'cut and shut' chair! However, I am sure the seat and every component above are by William Taylor's workshop in Grantham, as the name stamp would indicate.

© William Sergeant 2019

Lincolnshire high back bow back Windsor armchair with 5-piercing fleur de lys upper splat with lower diamond, double pierced lower splat, 6 long spindles, 8 short, no underarms, straight seat sides, ring and cove front leg turnings with1 lower ring x 4, crinoline stretcher WS 153 & WS 152

Lincolnshire high back bow back Windsor armchair with 5-piercing fleur de lys upper splat with lower diamond, double pierced lower splat WS 153

Lincolnshire high back bow back Windsor armchair with 5-piercing fleur de lys upper splat with lower diamond, double pierced lower splat WS 153b

Another Windsor chair of little value, mainly due to the huge fracture in the armbow (which can not be seen in these pictures) and the missing underarm supports. However, it is not without some interesting points even though the maker did not stamp it. The seat is made from ash while the rest of the chair is made from yew wood. Every feature would suggest a Grantham maker but without the underarm supports for some design clues it is difficult to work out who made this chair. However, one of the benefits of keeping pictures of stamped chairs is that they make a hugely important reference library.

If you have read my few lines under picture WS 131 you will have noted that I normally take no notice of the design of the cut out fret work on back splats. However the only exception to that rule is a tiny feature that appears on several AMOS stamped chairs. Compare this back splat to the signed chair in picture WS 132 and I will leave you to draw your own conclusions.

© William Sergeant 2015 and 2020.

Lincolnshire comb back side chair stamped Camm Grantham with turned stiles, 6 long spindles, straight seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher WS 90

Lincolnshire comb back side chair stamped Camm Grantham with turned stiles, 6 long spindles, straight seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher WS 90

Whilst visiting other peoples houses I have poor manners. I pay far too much attention to their furniture, particularly their chairs. On a previous visit to a house in the village of Navenby, I had spotted what looked like some Lincolnshire side chairs nestling under the kitchen table. On my most recent visit (2013) I was allowed closer inspection of the same and to my surprise and joy one of them was impressed with the maker's name : CAMM GRANTHAM. What a find! As far as I am aware there has been no record of a stamped comb back side chair by this maker although a quick search of Dr B D Cotton's The English Regional Chair (1990) shows a near identical chair stamped  J HILL (figures NE 104 and NE 105 on p. 134 ). Where is Navenby? It's north of Grantham on the road to Lincoln.

© William Sergeant 2013 and 2020

Lincolnshire hoop back Windsor side chair stamped Camm Grantham with 6 long spindles, straight seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher WS 99 & WS 98

Lincolnshire hoop back Windsor side chair stamped Camm Grantham with 6 long spindles, straight seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher WS 99

Lincolnshire hoop back Windsor side chair stamped Camm Grantham  WS 98

This is a exquisitely charming Grantham side chair of such dainty proportions. The way I got this chair really underlines how generous some people are: read on. This chair was advertised as a child's chair signed by CAMM by an auction house in Derbyshire.  I initially missed it in the net but a good friend kindly emailed me with the details. I realised that it was an previously unrecorded spindle back side chair from Thomas Camm of Grantham and would fit nicely in my collection. 

However, when the day came for the auction, the weather forecast was not good and even though I set off for the Peak District it soon became obvious that, with the snow, it was not sensible to carry on and I reluctantly turned back. When I got home it had been sold and for not very much: you can imagine my disappointment! 

At the beginning of the following week I contacted the auctioneers and asked then to pass my details on to the purchaser as I wished to at least try and record this chair for the benefit of all.  Just imagine my surprise when later in the day I got a phone call from Tracey in Burton saying that she had the chair and had viewed my website and was happy for me to collect it. What a treasure: both the chair and Tracey ! I travelled to Burton the following week and had pleasure of meeting Tracey.  I also took Dr B D Cotton's The English Regional Chair (1990) along and was able to identify the maker of a yew Windsor chair she also had. The little Camm chair exceeded all expectation and had obviously come from a very good home: I settled up and returned home really happy.

Many thanks to Euan for flagging up this chair; many thanks to Hansons Auctioneers for passing along my details and finally my heart felt appreciation to Tracey for her kindness. I don't usually include makers stamps on this site (so when I say a chair is signed you will just have to trust me that it is) but this is slightly unusual.  All the chairs that I have seen signed by Camm have the word Grantham below. There are several examples in The English Regional Chair (1990). This one is different in that the words are side by side which shows that he had one stamp for each word. OK, I know it's not an earth-shattering revelation but it all adds to the knowledge of their workshop practice.

© William Sergeant 2013 and 2020

Lincolnshire high back bow back Windsor armchair by Amos Grantham with 5-piercing fleur de lys upper splat with lower diamond, double pierced lower splat, 6 long spindles, 8 short, crook underarms, straight seat sides, ring and cove front leg turnings with1 lower ring, plain back legs, crinoline stretcher WS 132

Lincolnshire high back bow back Windsor armchair by Amos Grantham with 5-piercing fleur de lys upper splat with lower diamond piercing, double pierced lower splat, 6 long spindles, 8 short, crook underarms, straight seat sides, ring and cove front leg turnings with1 lower ring, plain back legs, crinoline stretcher WS 132

This superbly photographed chair is in the collection of Tom Wells and he kindly sent this picture and gave me permission to reproduce it here.

Please note that this chair has the maker's name stamped on the seat edge which is not very common amongst for these Grantham makers who tend to favour the upper rear of the seat in the centre just below the lower splat.

© Tom Wells and William Sergeant 2013 and 2020 

Lincolnshire comb back Windsor side chair stamped CAMM GRANTHAM with turned stiles, 6 long spindles, straight seat sides, ball turning and thin cove front legs, plain back legs, H stretcher WS 94

Lincolnshire comb back Windsor side chair with turned stiles, 6 long spindles, straight seat sides, ball turning and thin cove front legs, plain back legs, H stretcher WS 94

From a private collection. The story behind this chair is that it was rescued from a skip, with a split seat and a broken stile (outer back support). It has been skillfully repaired and a replacement turned back support made. This stamped Grantham chair was way too good to be discarded and has now been recorded for all to enjoy and for academic research. Stamped with a bold impression on the seat edge: CAMM GRANTHAM.

© William Sergeant 2013

2 x Lincolnshire and a Beverley Windsor side chair, with curved crest rails, turned stiles, 6 , 7 and 5 long spindles, straight seat sides, ring and cove front legs with 1 lower ring, plain back legs, H stretchers, 2 with darts WS 124

2 x Lincolnshire and a Beverley Windsor side chair, with curved crest rails, turned stiles, 6 , 7 and 5 long spindles, straight seat sides, ring and cove front legs with 1 lower ring, plain back legs, H stretchers, 2 with darts WS 124

Take a good look at the three chairs above. Many of you will recognise the right-hand chair as a splendidly crafted chair from Sleaford and stamped by Marsh, with 5 spindles across the back. The left-hand unstamped chair is of a similar date and is what you may expect to have been made in Grantham, with 6 spindles across the back. Now study the middle chair: it is such a mystery!

I happened across this chair at the Newark Antique fair at the beginning of April 2014. From a distance it was instantly recognisable as a Lincolnshire side chair but on closer inspection there were many aspects that I had not seen before. The row of 7 spindles was a first for me and the design turnery of the two outside spindles (stiles) is quite different from anything previously recorded . The elm seat is wider and deeper than the standard small seat you would expect and although the chair had been well used it is quite evident it was made by a very competent workshop. It appears to have been reduced in height in the past (hence the ramekin plinths!) and the seat has twisted to give a slightly distorted appearance.

I quizzed the dealer as to the history of this chair and was told that it came from a house clearance in Beverley, Yorkshire, East Riding. It was then that I remembered that I had spoken to the same person last year when he had 3 other chairs of the same design. Foolishly I had not photographed them and he told me they had been purchased by an American dealer, so there is little chance of ever seeing those again. I secured the purchase of this single chair so I could record it here, calling it a Beverley chair for want of a better name or until I discover who made it. The dealer also told me that he had had other similar chairs through his business in the past . Any other information on this design would be welcome: it may well be that there is a previously unrecorded maker from the East Riding of Yorkshire who was responsible for these lookalike Lincolnshire side chairs.

© William Sergeant 2014 and 2020

3 x Lincolnshire Windsor side chairs by Marsh of Sleaford, with curved crest rail with turned stiles and 5 long spindles x 1, hoop back x 2 with 7 & 6 long spindles, 1 straight sided and 2 bell-shaped seats, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher with darts x 2 H stretcher with 6 bobbin turning x 1 WS 116

3 x Lincolnshire Windsor side chairs by Marsh of Sleaford, with curved crest rail with turned stiles and 5 long spindles x 1, hoop back x 2 with 7 & 6 long spindles, 1 straight sided and 2 bell-shaped seats, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher with darts x 2 H stretcher with 6 bobbin turning x 1 WS 116

All three chairs bear the maker's stamp on the rear of the upper seat: MARSH SLEAFORD. The middle chair is the same as WS 115. These chairs illustrate the beautiful balanced designs of side chairs that these father and son chair turners made. The earliest reference to Thomas Marsh being in Sleaford is 1810 (when his daughter Anne was baptised there) and his son James was still there making chairs in 1870 - a span of at least 60 years!

Right, I hope you are sitting comfortably as what you are about to read has never been published before: it's about Thomas Marsh. He was baptised in Bilborough, Nottinghamshire on 20th August 1779* to parents Hugh and Helen Marsh. I believe he had an older brother Joseph, who was baptised in Strelley, Notts in 1776 and another older brother Hugh who was baptised in 1771 at St. Michael's, Derby. He went on to marry in St Wulfram's, Grantham (which was quite usual for people from Little Gonerby) on 26th July 1802. His bride on that day was Helen Thompson who had been born at Londonthorpe (a tiny village about a mile northeast of Grantham) and on their marriage register they were both noted as living in Little Gonerby. At the time of their wedding Thomas was 22 and Helen 21. Their wedding must have been a slightly sad affair as his mother-in-law had died just the month before and had been buried in Grantham (as she had been a resident of Little Gonerby) on the 21st June 1802. Their union was soon blessed with a child as on 19th August 1803 James was baptised in St. Marys, Nottingham. The next reference that I found for them was at Little Gonerby again when the baptism of their daughter Jane was recorded on the 21st Feb 1808. At some stage they moved to Sleaford as they had a daughter Ann baptised on 11th July 1810 at Quarrington (which is often referred to as Old Sleaford).

This has left me wondering what he was doing living in Little Gonerby, marrying a local girl and then going back to Nottingham. It could be explained if he had gone to do an apprenticeship with a Master as there is a history of chairmakers there. He met and fell in love with Helen but as is usual, he was not allowed to marry until he had finished his time, and then went back to his former home with his new bride. The intrigue does not stop there as the marriage was witnessed by Richard Hubbard and his wife Elizabeth. Richard Hubbard was a chair maker in Grantham - it would be no great surprise if he turned out to have been Thomas Marsh's Master.

Thomas appears to have been a chair maker all his life, eventually being buried at Sleaford on 25th April 1844 at the age of 67.** James was died in September 1870.

Here is a short video on Marsh chairs.

© William Sergeant 2013 and 2020

* and ** This would indicate that he was born in 1777: the baptism at Bilborough in August 1779 is the only Thomas Marsh baptised in the vicinity of Nottingham at around the relevant time.

Lincolnshire hoop back Windsor side chair stamped MARSH of Sleaford, with 6 long spindles, straight seat sides, ring and cove front legs with 1 lower ring, plain back legs, H stretcher with 6 bobbin turning WS 83

Lincolnshire hoop back Windsor side chair stamped MARSH of Sleaford, with 6 long spindles, straight seat sides, ring and cove front legs with 1 lower ring, plain back legs, H stretcher with 6 bobbin turning WS 83

I was fortunate to acquire this little gem of a chair from an antique shop in Grantham , clearly signed: MARSH SLEAFORD. I have written a few words about him at WS 29. Other chairs by him appear in Dr B D Cotton's The English Regional Chair (1990). We are all fortunate in the fact that not only did he sign a good number of his chairs but also that he made them so sturdy and elegant. James Marsh was already living in Sleaford in 1822 when his sister Sophia was born, he got married in 1836 and his first child was born there on 30th May 1841 and in due course two more daughters were born in 1843 and 1845 (Elizabeth and Emma) Sophia's death was announced in the local paper on the 20th August 1843 . Imagine the parents' joy in December 1848 at the birth of their son William, only for this to turn to utter sorrow on the death of the baby's Ann on the 10th December, followed a few days later by the infant son on 30th December. The 1851 census shows James living at 65 Jermyn St. Sleaford and working as a chairmaker and surrounded by his family: Ellen (70 ) mother and schoolmistress, Ann(40) sister and dressmaker, Elizabeth (39) sister and dressmaker along with his daughters Ann (11) , Elizabeth (8) and Emma (6). By 1871 it is assumed that James had died ( though no will has been found) as all his female family are still at the same address except for his mother and daughter Ann.

© William Sergeant 2012 and 2020

Lincolnshire hoop back Windsor side chair stamped SHIRLEY GRANTHAM with 6 long spindles, straight seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs with H stretcher and additional rear stretcher WS 84

Lincolnshire hoop back Windsor side chair stamped SHIRLEY GRANTHAM with 6 long spindles, straight seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs with H stretcher and additional rear stretcher WS 84

This chair was probably made in the workshop of William Shirley senior before he moved to Birmingham in the early 1840s at about the same time that Willian Shirley junior moved to Caistor. Chairs stamped SHIRLEY GRANTHAM are uncommon.

© William Sergeant

Nottinghamshire bow back Windsor side chair stamped Nicholson Rockley with 6 long spindles, bell-shaped seat with fantail and 2 spindles at an angle, with ring and cove leg turnings with 1 lower ring x 4 WS 118

Nottinghamshire bow back Windsor side chair stamped Nicholson Rockley with 6 long spindles, bell-shaped seat with fantail and 2 spindles at an angle, with ring and cove leg turnings with 1 lower ring x 4 WS 118

The wonderful thing about collecting chairs is finding something special! I remember having a conversation with a dealer about memorizing the designs of chairs in Dr B D Cotton's The English Regional Chair (1990) and then searching for something out of the ordinary.  He was very dismissive and likened me to a train spotter for ticking off the pictures. He completely missed the point: the fun of the search! Anyway, I know this is not a Lincolnshire chair but its very existence is worth recording here because if you look in Cotton's book there are many pictures of the superb Windsor chairs that were made in Rockley, in Nottinghamshire, but there is no mention or picture of a side chair. They were thought not to exist. Well feast your eyes on this: the ironic thing is that this chair spent several years in an antique shop in Newark and I must have walked past it many times. There was nothing about it to suggest to me that it was a local chair and I never even stopped to inspect it. Side chairs with a fantail seat and 2 angled spindles joined into the hoop are a standard design in the Thames Valley and, as far as I am aware, this is the only East Midlands side chair featuring this design and construction method. 

Only when a fellow collector told me that it was stamped with the maker's name did I inspect it closely. 

Nottinghamshire bow back Windsor side chair stamped Nicholson Rockley  WS 117

Imagine my surprise when I saw Nicholson Rockley. Because it had been unsold for so long I think the shop owner was really pleased to let me have it at a very much reduced rate. The lesson for me and anyone else reading this is simple: never ever walk past a chair without inspecting it thoroughly for signs of who made it.

PS there is one other armchair from Lincolnshire recorded with a fantail and 2 angled spindles which will be posted tomorrow (update: now to be found here).

© William Sergeant 2020

Lincolnshire comb back Windsor side chair, probably John Wilson, with curved crest rail, turned stiles, 6 long spindles, straight seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher WS 119

Lincolnshire comb back Windsor side chair, probably John Wilson, with curved crest rail, turned stiles, 6 long spindles, straight seat sides, ring and cove front leg turnings with 1 lower ring, plain back legs, H stretcher WS 119

I happened across the middle of these three chairs in a local shop and while the dealer had correctly identified it as a Grantham side chair, there was no mention of the maker. However, although there was no maker's stamp or mark on it, I was sure it was by one of two Grantham makers. I took it along to fellow collector Brian Gray to compare it with his signed chairs: the one on the left is stamped Wilson and the right hand one stamped Taylor. We were left in no doubt that the similarity to the Wilson chair won the day. This is Lincolnshire vernacular furniture at its best!

© William Sergeant 2020

Lincolnshire Windsor hoop back side chair with 6 long spindles, straight seat sides, ring and cove turned front legs with lower ring, plain back legs, H stretcher WS 147

Lincolnshire Windsor hoop back side chair with 6 long spindles, straight seat sides, ring and cove turned front legs with lower ring, plain back legs, H stretcher WS 147

The first spindle back side chair to be recorded; faintly stamped at the upper rear of the seat TAYLOR GRANTHAM. Made entirely out of ash and from the same farmhouse as WS 146. It's hardly surprising that one of this pattern by this maker would eventually turn up as all the Grantham makers appear to have made this design and figure NE41 at p. 121 of Dr B D Cotton's The English Regional Chair (1990) is the same but with a back splat.

So which one of the Taylors made this one - Cotton lists James, John, John junior, Joseph and William in the back of his book - it could be any of them? However recent research has discovered another unrecorded Taylor by the name of Roger. Let me explain: while browsing through some old paper advertisements I came across one seeking a Journeyman Windsor chair maker who would have constant employ and wages according to his merit by applying to Mr Roger Taylor, Windsor chairmaker of Grantham. This was in the Stamford Mercury in July 1800. Further investigation has revealed that on 7th Jan 1782 there was the marriage of Roger Taylor to Sophia Smith and later that year, on 15th October, there was registered the birth of their first child John. He was followed by William in March 1785 and James in July 1787.  I have Robert Williams to thank for informing me that a William Taylor was apprenticed to William Allison, joiner , of Grantham on the 6th December 1799 for the sum of £21 for 7 years. This means that there is a strong possibility that in the 1780s or 1790s Windsor chairs were being made in Grantham by Roger Taylor and that the three chairmakers mentioned by Cotton all were the children or grandchildren of Roger.

I quickly found out that Roger died and was buried in Grantham one year after he put the advertisement in the paper, in Oct 1801. This means that his eldest son John would have been only 17 years old at the time of his death and not even finished his apprenticeship, if he was doing one. So who would have run the business of chairmaking? Well the answer lies in an advertisement that appeared in the Stamford Mercury in June 1802 the year after the death of Roger: his wife Sophia placed an advertisement saying that she is to continue the business and asking for journeymen to apply for work making chairs for her.  The advertisement was signed by Mrs S. Taylor, Windsor and Fancy Chair-manufacturer. 

Another advertisement by by Mrs S. Taylor, Windsor and Fancy Chair-manufacturer, appeared in the Stamford Mercury in February 1809. It was advertising for an apprentice to start immediately at Windsor and fancy chair-manufacturer and after the time served the young man would be entitled to become a Freeman of the borough of Grantham.

On a final note, I would like you to ponder on this: the burial register notes that Roger was 38 at the time of his death which means that if he had done an apprenticeship it would have been in the late 1770s, which really places him at the very beginning of the Grantham Windsor chair making tradition Who taught him and where did he learn his skills?

Click on this link to see me give a talk to the Regional Furniture Society conference in London, March 2019, about the Taylors of Grantham.

© William Sergeant 2014 and 2020

Lincolnshire low bow back Windsor armchair with 3 x quatrefoil pierced splat, 6 long spindles, 8 short, crook underarm supports, straight seat sides, ring and cove front legs, plain back legs, crinoline stretcher WS 113

Lincolnshire low bow back Windsor armchair with 3 x quatrefoil pierced splat, 6 long spindles, 8 short, crook underarm supports, straight seat sides, ring and cove front legs, plain back legs, crinoline stretcher WS 113

This chair was brought to a talk that I gave about chairmaking in Caistor by a local resident. It was in excellent original condition, just in need of a good dust and wax. The seat is of elm and the rest of yew except for the two back legs which were ash. The ring and cove front leg turnings and plain back legs would point towards it being made in Lincolnshire and the shape of the seat is typical of Grantham. The crinoline stretcher and the crook underarm supports suggest a date of of early 1800s. The quatrefoil piercings on the splat are similar to chairs shown in Dr B D Cotton's The English Regional Chair (1990) at Plate 12 on p. 110 made by John Amos and William Taylor of Westgate, Grantham at figure NE 28 on p. 118.

I am sorry about the carpet but it was the best I could do in Caistor Town Hall. Just take a moment to study this chair as it is probably nearly 200 years old and of a type that rarely appears on the market.

Further chairs with quatrefoil pierced splats may be seen in yesterday's post, WS 184 and also this post. 

© William Sergeant 2013 and 2020

Lincolnshire medium bow back Windsor armchair stamped TAYLORS with quatrefoil and fleur de lys splat, 6 long spindles, 8 short, crook underarms, bell shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 194

Lincolnshire medium bow back Windsor armchair stamped TAYLORS with quatrefoil and fleur de lys splat, 6 long spindles, 8 short, crook underarms, bell shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 194

A long time ago, a fellow collector of Lincolnshire Windsor chairs had mentioned to me that he had a couple of stamped Taylor chairs in his collection. I had never seen them and wasn't overly interested as I have my own chairs signed by the same maker. However, on a recent visit to his house, I noticed this chair above - I knew that it was made by William Taylor who signed his chairs TAYLORS. I commented that this must be a new addition, whereon he replied that he had told me about it years ago. I had misinterpreted what he had said; I thought he meant Taylor not TAYLORS! The difference is subtle but so important.

I know that William Taylor signed chairs from his workshop as he states the same in an advert in the Stamford Mercury- WS 166 here - and that his signed chairs are very rare. My research has revealed that he left the security of his mother's workshop in December 1811 to set up his own business; at the same time he took on the apprentice William Shirley senior who was halfway through his 7-year tuition having started it under John Taylor.

This chair encapsulates so many features regarding my research. With the help of Chris Goodwin, who is a descendant of the Taylors of Grantham, I can reveal that William Taylor gave up chairmaking on the 7th October 1815 to work for the Post Office as a mail coach guard, something he did for the next 30 years. This means that this chair can be precisely dated to the 4 years before Oct 1815. The implications of this are profound - no other writer on this subject has been able to confirm when the backsplat and H stretcher were introduced into the design of Lincolnshire chairs but this is firm date evidence.

The chair itself is made entirely out of ash wood, having a thick seat and of robust construction, weighing in at an impressive 15 pounds - this chair was made to last. The backsplat has a particularly pleasing design motif. The seat is flared towards the front to give more room to the front legs which leads to an elegant well-balanced design.

But the most outstanding discovery for me was that this collector had been lucky to purchase two of these chairs, in the same lot, from an auction house in Cumbria.

© William Sergeant 2018 and 2020