Medium bow back Lincolnshire Windsor spindle back armchair stamped AMOS GRANTHAM, with 9 long spindles, 8 short, crook underarms, straight seat sides, ring and cove front leg turnings, with 1 lower ring, plain back legs, H stretcher with darts WS 190 & WS 189

Medium bow back Lincolnshire Windsor spindle back armchair stamped AMOS GRANTHAM, with 9 long spindles, 8 short, crook underarms, straight seat sides, ring and cove front leg turnings, with 1 lower ring, plain back legs, H stretcher with darts WS 190

This is a typical early Lincolnshire windsor armchair. Plain back legs with the front ones having the design of a thin ring above an exaggerated shallow cove, an all-spindle back support and curved underarm supports. This one has an ash seat with yew for the other components. I believe that this is the very essence of a chair that was made in the first period of Windsor chairmaking in the county, namely 1800-1812. 

The name stamp on the edge of the seat is AMOS GRANTHAM, so we know exactly in whose workshop it was made. It came from a house just outside Newark and it had been in the family for many years. It was in a slightly distressed state when I brought it at auction but I got a restorer to make it usable again.

John Amos was a wheelwright and as such ran a business for the first 15 years of his working life making wagons and carts for farmers and merchants as well as servicing ones that were already in use. It was not until 1809 that the first advert by him was posted in the paper searching for journeymen chairmakers. All of the chairs that I have seen from his workshop are of the second period type, which I believe started to be produced in about 1812 but I was not surprised to seen this design by him. This leads me to think that this chair was probably made in the first 3 years of his manufacture, namely 1809-1812.

Bench holdfast marks on medium bow back Lincolnshire Windsor spindle back armchair WS 190 stamped AMOS GRANTHAM WS 189

This picture shows part of the underside of the armbow of this AMOS chair. You can see quite clearly the small areas of cross-hatching that are impressed into the surface of the wood. This was caused by bench holdfasts. These have been used by woodworkers since ancient times and are used, as their name suggests, to hold a piece of wood firmly to the workbench. They are the shape of a swan's neck, with the neck part slipped down a hole in the bench and the crooked head part tapped with a mallet to spread the bend and hold the wood secure. They can easily be released with a sideways tap. 

For the holdfast to grip the wood better, there is cross-hatching filed into the end. This is what has left the marks above. The length of yew wood would be soften in the steam box and the placed against the profile form that it is to be moulded around and once bent, it is held firmly in place while it cools by a series of holdfasts. 

© William Sergeant 2017 and 2020

Medium bow back Lincolnshire Windsor armchair stamped BRAND SLEAFORD with 9 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings, plain back legs, crinoline stretcher, WS 192/199

Medium bow back Lincolnshire Windsor armchair stamped BRAND SLEAFORD with 9 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings, plain back legs, crinoline stretcher, WS 192/199

At first glance this is a typical Lincolnshire spindle back Windsor armchair. It is stamped BRAND SLEAFORD. The solid thick seat is fashioned from elm, the front legs are made out of cherry and the back legs turned from ash. Every other component is made from yew wood. What makes this chair slightly unusual is the turnery design to the front legs - the element of added decoration. There is a double ring turning above the cove and towards the base of the leg the turnery design is a double ring again. This striking feature is almost identical to the Shirley chair in WS 198.

Chairs by this maker are very rare. This one is the first that I have handled after many years of searching and I was pleased to add it to my collection. I had come across John Brand before - see WS 163 and 164. That chair with the seat stamped BRAND and MARSH proves that they must have been working together for a while.

The tradition of chair making in Sleaford has three names which standout and often appear in the directories and censuses, namely MARSH, BRAND and MASON. While many MARSH stamped chairs have been recorded, very few BRAND stamped chairs appear on the market and not one single chair stamped with MASON has ever been found.  After many years of searching, I was so pleased to find this BRAND chair advertised on the internet by a dealer in the south of the county. We agreed on a price and as he was about to visit the Newark Fair, he offered to deliver it as well.

© William Sergeant 2017 and 2020

Medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM with 3-piercing fleur de lys upper splat, teardrop pierced lower splat 6 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings x 4, H stretcher with darts WS 198

Medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM with 3-piercing fleur de lys upper splat, teardrop pierced lower splat 6 long spindles, 8 short, turned underarms supports, bell-shaped seat, 2 ring and cove legs with 2 lower rings x 4, H stretcher with darts WS 198

Signed chairs by William Shirley senior are so rare that in all the years that I have been searching for Lincolnshire chairs, this is the very first signed armchair that I have ever come across.  When it appeared at the local sale room in Grantham in June 2017, I decided that it should join my collection. You may have noticed that a side chair already exists on this blog, WS 84, and I have another signed SHIRLEY side chair in my collection which is remarkably similar to it. Beside those three, very few have been recorded. There's an armchair in the Geffrye Museum and I know of a couple more. The side chair at figure NE 53 at p. 123 Dr B D Cotton's The English Regional Chair (1990) may be an example but is merely stamped SHIRLEY. This minimal number of stamped Shirley Grantham chairs strikes me as slightly odd as he was a chair maker for some considerable time in Grantham.

William learnt his trade in the workshop of the Taylors, first with John during the years 1808-1811 and then with his younger brother William during the years 1811-1815 after which he became Freeman of Grantham. He advertises in the Stamford Mercury in April 1818, seeking an apprentice and a dish turner. He describes himself as a Turner, Windsor and Fancy and Spinning wheel maker of Westgate Grantham. He places a similar advert in June 1819, giving his address as No. 11 Westgate Grantham. This is of significance as it is the same address as William Taylor used when he advertised in the same paper in Dec 1811, which would indicate that he had moved into the premises once occupied by his second master. He marries in 1816 and at the birth of his son Frederick in 1824, he is described as a chairmaker of Southwark. Also, at the birth of his son George in 1828 he is noted as being a chairmaker of Old Kent Road. He advertises twice in 1834 using the address of Westgate Grantham again.

The chair pictured above is typical of a good quality Lincolnshire chair with underarm support pattern that is used by so many makers. The interesting feature is the design motif for the front legs, it has an extra ring above the usual ring and cove decoration as well as an extra lower ring. I wonder if this a nod to the Victorian trait of incorporating more detail into their furniture and getting away from the classical lines of the Georgian period? The middle parts of the H stretcher are fatter than many Grantham examples.

The seat and the stamp may be admired below.

Fine elm seat of medium bow back Lincolnshire Windsor armchair stamped SHIRLEY GRANTHAM WS 198

 SHIRLEY GRANTHAM stamp on upper rear of seat of WS 198

© William Sergeant 2017

Medium bow back Lincolnshire Windsor armchair stamped TAYLOR GRANTHAM, turned underarm supports, 8 long spindles, 2 x 3 underarm spindles, ring and cove front leg turnings with single lower ring & plain back legs, H stretcher with cross stretcher turned with darts WS 85

Medium bow back Lincolnshire Windsor armchair stamped TAYLOR GRANTHAM, turned underarm supports, 9 long spindles, 2 x 4 underarm spindles, ring and cove front leg turnings with single lower ring & plain back legs, H stretcher with cross stretcher turned with darts WS 85

I happen to find this one at the Newark Antiques Fair and I was convinced it was made by Marsh of Sleaford but on close inspection there is a faint stamp on the rear of the seat which says TAYLOR GRANTHAM. Fortunately no one had noticed this maker's mark and it joined my collection for a very small fee. The underarm turnings are so similar to Marsh of Sleaford that only when they are stood next to each other can you spot the differences. Compare this chair with WS 29 and you will see what I mean.

Other differences are that Taylor has 8 long spindles and 6 short, whereas Marsh uses 9 long and 8 short; Marsh puts a slight chamfer on the underside of the end of the arm bow, absent from the Taylor chair. The ring on the front legs of the Taylor chair is slightly deeper than that on the Marsh.

© William Sergeant 2018 and Julian Parker 2020 

Lincolnshire medium bow back Windsor armchair, stamped I * TAYLOR GRANTHAM with 9 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 211

Lincolnshire medium bow back Windsor armchair, stamped I * TAYLOR GRANTHAM with 9 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 211

Regular students of Lincolnshire Windsor chairs will have seen the image of this chair before. It is simply remarkable. It appears on p. 138 of Thomas Crispin's The English Windsor Chair (1992) and again in Dr B D Cotton's The English Regional Chair (1990) at figure NE12 on p. 113. Both books show the name stamp of I*TAYLOR which relates to the eldest son of Roger and Sophia Taylor, one John Taylor. Those of you who have seen my lecture at Conway Hall on Youtube will know that he made chairs for only three years, from February 1808 until January 1811, after which he became a mail coach guard for 31 years. The only other recorded I*TAYLOR stamped chair passed through the now closed auction room of Neale's of Nottingham in 2002. 

Detail of upper rear of seat of Lincolnshire medium bow back Windsor armchair, stamped I * TAYLOR GRANTHAM

WS 204 on the left, WS 211 on the right

You may also wish to compare this chair to yesterday's post WS 204, which has no makers mark, but I am sure both were made by the same hand.

The extraordinary fact is that this chair appeared on eBay recently and was spotted by a fellow enthusiast (one Julian Parker) who kindly notified me. The young lady in London selling the chair had seen the name stamp but had been unable to decipher the name. She had acquired the chair off Greenwich market at least 15 years before, besides that there was no other provenance.

© William Sergeant and Julian Parker 2020

Lincolnshire medium bow back Windsor armchair, with 9 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 204

Lincolnshire medium bow back Windsor armchair, with 9 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove turned front legs with 1 lower ring, plain back legs, crinoline stretcher WS 204

My attention was drawn to this chair, that was advertised on Instagram, by my fellow furniture enthusiast Tim Garland. From the image by the vendor, it was obvious that it was in poor condition with some serious structural issues - also it was said to be possibly from Welsh borders. I recognised it as a typical early spindle back Lincolnshire Windsor armchair, dating from about 1815. There was no indication whether it was marked by the workshop owner. After having completing the deal, the chair duly arrived and the breakages were even worse than I had initially thought, but no matter, as it was soon in the capable hands of Tim. He repaired and restored the chair and the result can be seen in the picture above. He made a splendid job, and we both felt a deep sense of satisfaction of having rescued a valuable historical piece of vernacular furniture.

The maker of this chair remained a mystery to me, but as you may have heard me say before, the maker always leaves his finger prints all over his chairs, if you just know where to look. The give away was the incised ring around the back legs to indicate where the hole needed to be drilled to take the side stretcher. The only signed chairs, that have this feature, are those that are signed TAYLORS, so those made in the workshop of William Taylor. There remains the possibility that those made in his brother's workshop (John), could have the same implicit mark but as I had never handled one, and am most unlikely ever to find one, so the final identity of the marker remains uncertain.

© William Sergeant 2019

2 x Lincolnshire underarm turnings compared - the turnery signature is clear WS 181

This picture shows the underarm supports of the unstamped bar back chair in WS 180 on the right and the underarm support of the stamped TAYLORS bow back in WS 167 on the left. The underarm supports are so similar and both chairs had the same finish applied, a sort of dark varnish. But the telling detail is the incised ring around the back leg where the side stretcher joins. It's a detail that I have only ever seen on two chairs - both signed TAYLORS and it appears on the comb back chair as well. So there is no doubt which workshop both these chairs came out of: William Taylor, Grantham.

© William Sergeant 2017 and 2020

Lincolnshire Windsor bow back medium armchair stamped TAYLORS GRANTHAM with 3 piercing fleur de lys upper splat, teardrop pierced lower splat, 6 long spindles, 8 short, crook underarm supports, bell-shaped seat, with cut-and-shut Nottinghamshire 3 ring leg turnings with vase-shaped feet and crinoline stretcher WS 206

Lincolnshire Windsor bow back medium armchair stamped TAYLORS GRANTHAM with 3 piercing fleur de lys upper splat, teardrop pierced lower splat, 6 long spindles, 8 short, crook underarm supports, bell-shaped seat, with cut-and-shut Nottinghamshire 3 ring leg turnings with vase-shaped feet and crinoline stretcher WS 206

Thanks to former Regional Furniture Society member, James Drake, for allowing me to record and publish an image of this chair, stamped TAYLORS GRANTHAM. I would ask you to study the picture of this chair closely. It certainly took me by surprise: there is something clearly wrong with it. The legs, with the three ring turning motif are not something that I would associate with an early Lincolnshire Windsor armchair, and sure enough, on close inspection it soon became obvious that legs belong to another chair, probably from Nottinghamshire. There has been some serious damage to this chair as the underneath of the seat shows, while the legs are quite a different colour to the rest of the chair. It's a splendid example of a 'cut and shut' chair! However, I am sure the seat and every component above are by William Taylor's workshop in Grantham, as the name stamp would indicate.

© William Sergeant 2019

Lincolnshire medium bow back Windsor armchair stamped TAYLORS with quatrefoil and fleur de lys splat, 6 long spindles, 8 short, crook underarms, bell shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 194

Lincolnshire medium bow back Windsor armchair stamped TAYLORS with quatrefoil and fleur de lys splat, 6 long spindles, 8 short, crook underarms, bell shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 194

A long time ago, a fellow collector of Lincolnshire Windsor chairs had mentioned to me that he had a couple of stamped Taylor chairs in his collection. I had never seen them and wasn't overly interested as I have my own chairs signed by the same maker. However, on a recent visit to his house, I noticed this chair above - I knew that it was made by William Taylor who signed his chairs TAYLORS. I commented that this must be a new addition, whereon he replied that he had told me about it years ago. I had misinterpreted what he had said; I thought he meant Taylor not TAYLORS! The difference is subtle but so important.

I know that William Taylor signed chairs from his workshop as he states the same in an advert in the Stamford Mercury- WS 166 here - and that his signed chairs are very rare. My research has revealed that he left the security of his mother's workshop in December 1811 to set up his own business; at the same time he took on the apprentice William Shirley senior who was halfway through his 7-year tuition having started it under John Taylor.

This chair encapsulates so many features regarding my research. With the help of Chris Goodwin, who is a descendant of the Taylors of Grantham, I can reveal that William Taylor gave up chairmaking on the 7th October 1815 to work for the Post Office as a mail coach guard, something he did for the next 30 years. This means that this chair can be precisely dated to the 4 years before Oct 1815. The implications of this are profound - no other writer on this subject has been able to confirm when the backsplat and H stretcher were introduced into the design of Lincolnshire chairs but this is firm date evidence.

The chair itself is made entirely out of ash wood, having a thick seat and of robust construction, weighing in at an impressive 15 pounds - this chair was made to last. The backsplat has a particularly pleasing design motif. The seat is flared towards the front to give more room to the front legs which leads to an elegant well-balanced design.

But the most outstanding discovery for me was that this collector had been lucky to purchase two of these chairs, in the same lot, from an auction house in Cumbria.

© William Sergeant 2018 and 2020

Lincolnshire medium bow back Windsor armchair probably William Taylor, with 3 quatrefoil and flea de lys pierced splat, 6 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove front leg turnings, plain back legs, crinoline stretcher WS 165

Lincolnshire medium bow back Windsor armchair probably William Taylor, with 3 quatrefoil and flea de lys pierced splat, 6 long spindles, 8 short, crook underarms, bell-shaped seat, ring and cove front leg turnings, plain back legs, crinoline stretcher WS 165

Shaped elm seat, two inches thick , chamfered under edges. Back support all ash wood except cherry splat . Eight short and six long spindles. Distinctive quatrefoil pattern on splat. Four blind square pins on back bow and five on the arm bow let in from the back.

Ash wood front legs with typical Lincolnshire ring and cove decoration, slightly shortened, one with evidence of torn fibres from cleaving blank. One plain ash back leg and one elm replacement leg and two elm replacement short stretchers. Ash crinoline stretcher. Weight : 13 ¼ lbs.

This chair was made by William Taylor, of that I have no doubt. If you look in Dr B D Cotton's The English Regional Chair (1990) at figure NE 28 on p. 118 you will see an identical chair which is signed Taylors Grantham. That is the stamp of William Taylor of Grantham. Also on the original rear leg there is an incised mark to show where the hole centre is to be drilled for the cross stretcher. I have only seen one chair with this constructional aid before and that is on chair WS 126 and if you look at that chair you will see that it is also signed Taylors Grantham.

© William Sergeant 2015 and 2020

Lincolnshire medium bow back Windsor armchair stamped TAYLORS GRANTHAM with fleur de lys splat and 3 teardrop piercings with 6 long spindles, 8 short, turned underarm supports bell-shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 126

Lincolnshire medium bow back Windsor armchair with fleur de lys splat and 3 teardrop piercings with 6 long spindles, 8 short, turned underarm supports bell-shaped seat, ring and cove front leg turnings, plain back legs, H stretcher with darts WS 126

This chair appeared online at an East Midlands auction in May 2014. The picture was of good quality and it took no time to realise that it was an early Lincolnshire chair. It had obviously been reduced in height but everything looked original. I was not able to get to the viewing so followed the auction on the internet; I was convinced that I knew who the maker was. When the lot came up there was very little interest and soon the chair was knocked down to me for not very much. A couple of days later I travelled over to collect the chair and had the chance to view it for the first time. It was my lucky day! Not only was it in good condition but the maker was clearly stamped on the seat; either the auctioneer had failed to see the impressed name or he saw no reason to mention it in the sale description. But what totally amazed me was it had been made by a different maker in a different town from the one that I had expected. TAYLORS GRANTHAM means that the chair was made in the workshop of William Taylor, whose remarkable 1813 advertisement in the Stamford Mercury is discussed here.

WS 127 - TAYLORS GRANTHAM stamp on WS 126

© William Sergeant 2014 and 2020

Medium bow back East Anglian Windsor armchair, with wheat sheaf splat, 2 x 3 long spindles, 2 x 3 short spindles, crook underarm supports, top egg & lower egg & long reel leg turnings, H stretcher with barrels

WS 141 An East Anglian, possibly Suffolk, Windsor armchair

The highlight of the Chair Study day in September 2014 was without question the arrival of this chair which was brought along by an avid chair collector from the Midlands. What a wonderfully crafted elegant chair! It bears no resemblance to a Lincolnshire chair but is remarkably like an oft-overlooked chair on p.256 of Dr B D Cotton’s The English Regional Chair (1990).

If you read my short summary as to what makes a Lincolnshire chair, you will see that this chair fails on several points; firstly it does not have plain back legs, secondly the splat is let into the front of the bow rather than through it, thirdly the joint where the back bow meets the arm bow has a shoulder that sits on the armbow and fourthly the turnery design bears no relationship to any other Lincs chair. However the most significant feature for me is that this chair is just too well made to have come out of Lincolnshire. Just look at those stretchers that unite the legs: they have a delicately turned barrel in the middle of each one with an incise mark in the middle of each - what lovely detail!

Now compare this chair with Figure EA165 in Cotton's book:

© Dr B D Cotton The English Regional Chair 1990

 of which he writes: "Armchair. Elm seat and splat, ash hoop and sticks, fruitwood legs and stretchers. Attributed to East Anglia. Typical Windsor chair configuration [...] The wheatsheaf splat is similar to those employed in certain of the Mendlesham group chairs. The manufacturing detail in the chair indicates a close relationship with the Mendlesham area chairs, and it may be that this style of chair formed part of the repertoire of this generic chair group."

For the chair pictured above all of the back support is the same. The design of the splat is similar to those sometimes found on Mendlesham chairs. However the detail that is most significant, but may be difficult to see in the picture above is that each leg has an incise mark to denote where the hole needs to be drilled to let in the cross stretcher: this is so common and a defining feature of Mendlesham chairs. Could it be that one of the workshops that Cotton identified making Mendlesham chairs was making these chairs as well and using details common to both?  It should be noted that the leg turnings, an egg at the top and an egg and long reel at the bottom, differ from Figure EA165.

© William Sergeant 2019

Unstamped medium bow back Lincolnshire Windsor armchair, crook underarm supports, 6 long spindles, 2 x 4 underarm spindles, ring and cove front leg turnings with single lower ring & plain back legs, crinoline stretcher

WS 137 Lincolnshire Windsor bow back armchair

Well crafted and full of understated elegance - a typical early nineteenth century Lincolnshire windsor chair - but we do not know who made it. The outstanding feature of this chair is the quatrefoil motif in the splat; they are rarely seen. The seat and most of the components are made from ash, the splat probably from fruitwood. However the two steam bent bows are made from a wood that I am not familiar with and could even have been constructed from hazel. This chair is in the collection of Brian Gray.

I have made the bold statement that this is a Lincolnshire Windsor chair, even though it does not have a makers stamp on it to verify where it was made. I have been asked many times how I know if a chair was made in Lincolnshire and after giving some talks to groups of people this year my thoughts have focused on answering that question. The first reason I am so confident I am able to recognise them is that I have handled a significant number of signed chairs and a pattern emerges that is common to all Lincolnshire chairs. Always remember that the chairmaker has left his finger prints over every component, whether on purpose or not (these could be explicit or implicit features).

The first most obvious feature that can be spotted at some distance is the design of the legs, namely a ring and cove on the front legs (later to become just two rings) and plain back legs, tapered towards both ends. The lack of decoration on the back legs just typifies the frugal attitude these makers had to the manufacture of their chairs to remain competitive with other chairmakers. On the front leg the ring design tends to be small whereas the cove is flat and elongated (made with a gouge chisel rather than a nail chisel).

The next pointer I look for is the seat - I reckon that at least 85% of signed Lincolnshire chairs have seats made from the ash tree (the other 15% are made from elm). The early makers used flaired seats to get the front legs further apart and I have yet to see a Lincolnshire chair with the legs let right through seat (a common practice on Thames Valley chairs).

The design of the back splat holds no interest to me at all - I have not come across any association of the fretted design with the maker. However, it appears to me that all the Lincolnshire makers made spindle backed chairs with no splat but where there is a splat it is let through the back bow, not let into the front of the bow that is so very common on the southern chairs. I have yet to see a Lincolnshire chair with a roundel or cartwheel motif on the splat though I believe ones may exist.

Chairs from other regions usually have a scribe mark on the backbow and sometimes around the edge of the seat; I would not expect to see such decoration on a Lincolnshire chair - remember the word to describe these chairs is frugal with no unnecessary decoration.

Finally the most telling design feature that distinguishes East Midlands chairs from their southern counterparts is the joint where the backbow meets the arm bow: Lincolnshire makers tapered the back bow like the sharpening of a pencil whereas the Thames Valley makers seemed invariably to have been taught to cut a square shoulder which sits on the arm bow  Its always the first point that catches my eye whenever I come across a new chair to inspect.

A fuller discussion of what distinguishes a Lincolnshire chair from a Nottinghamshire chair or a Thames Valley one, written several years after I made these observations, may be found here.

© William Sergeant 2014 & 2019

William Taylor, Grantham medium bow back Lincolnshire Windsor armchair, with 3-piercing fleur de lys above teardrop piercing, single pierced lower teardrop, bell seat, 6 long spindles, 8 short, turned underarm, ring & cove front leg turning, plain back legs, H stretcher with darts

On 25 June 1813 an intriguing advertisement appeared in the Lincolnshire, Rutland and Stamford Mercury:

© British Library Board

"WILLIAM TAYLOR, the Original Windsor Chair-maker, No.11, WESTGATE, GRANTHAM returns thanks for the very liberal encouragement he has for several years experienced at Stow Green Fair, and informs his friends and the public in general, he will have an assortment of Yew and other Windsor Chairs at the above fair, on the 2d and 3d of July, when orders will be thankfully received. Observe, none are his make but those marked "Taylor's, Grantham," on the seat. Turning executed to order, all sorts of spinning wheels made and repaired, screws cut for benches, cheese and other presses, on the shortest notice."

This is the the very first indication of how a Grantham chair maker was able to show his chairs to the public. 

WS 167 Taylors Grantham 

When I first read this I assumed William Taylor was referring to the Stow village which is about 10 miles north of Lincoln but on further investigation I discovered a fascinating event much closer to Grantham. 

The village of Stow no longer exists but is marked by a plaque in a corner of a field about  one mile south of Threekingham, 8 miles south of Sleaford and ten miles east of Grantham. In the 18th & 19th centuries the grass area around Stow was turned into a small town as it had a licence for a annual market which was granted in the 13th century. The picture above shows part of the grass field (which has a preservation order on it) where this huge fair was held. On the sky line is the spire of Threekingham church . The chair in the picture is signed TAYLORS GRANTHAM and there is the intriguing possibility that this very chair was taken to this very spot over 200 years ago to be sold by William Taylor. Ponder this thought as well: would he have seen Thomas Marsh of Sleaford and Richard Hubbard of Grantham at the fair trying to sell their chairs as well? For more information on this fair please click on the following link. 

WS 167 Taylors Grantham with 2 friends, WS 123 T Simpson, Boston on the right and WS 29 Marsh of Sleaford on the left

William Taylor was baptised in Grantham in 1785. His father was Roger Taylor and it was his father who placed an advert in the Stamford Mercury dated 9 July 1800 wanting a journeyman Windsor chair maker. So William, the second son, was born into a family of chairmakers. It's slightly surprising that he then was apprenticed to a joiner in 1799 , when he was 14. His father Roger was buried in Grantham in 1801 but his wife Sophia continued to run the chairmaking business, advertising for journeymen and apprentices. 

The advertisement says that he had been selling Windsor chairs for several years prior to 1813, when William would have been 28 years old; however it's not clear if he was running his parents business. His claim of being the Original Windsor chairmaker (in the area) is of interest. He may well be using the fact that his father's business was probably the first to introduce Windsor chairmaking to Grantham.

Finally, William warns the public that only chairs marked with his name, TAYLOR'S , are made by him and implies that someone else is trying to sell very similar chairs on the back of his reputation. Well, I think I know who was trying to do this, but that will be another posting on this site.

© William Sergeant 2019

James Marsh, Sleaford: stamped medium bow back Lincolnshire Windsor armchair, turned underarm supports, 9 long spindles, 2 x 4 underarm spindles, ring and cove front leg turnings with single lower ring & plain back legs, H stretcher with cross stretcher turned with darts

WS 29 Marsh Sleaford

Found this one recently (May 2016) in a local antique centre and I knew immediately that it was a Lincolnshire chair - on closer inspection it became apparent that it was in excellent condition with no play in any joints and little wear for its age. The seat was covered by a red velvet fitted cushion and when I removed it there appeared a dirty mark at the rear of the seat; I rubbed the mark and I then could see letters appearing which spelled: MARSH SLEA.... No one had noticed this so I quickly negotiated the purchase and hurried out the door with it. A little research revealed it to be made by James Marsh of Sleaford. A little bit of history on James Marsh for you: he was baptised James Thompson Marsh in Nottingham in 1803. His parents were Thomas Marsh (from Nottingham) a Windsor chair maker, and Ellen Thompson of Londonthorpe (which is just outside Grantham) and they were married at St Wulfram's, Grantham in 1802. At the time of their wedding they were recorded as living at Little Gonerby (which was a tiny collection of houses on the very edge of Grantham, where the chair maker John Amos lived as well) not to be confused with Great Gonerby or Gonerby Hill Foot. Their wedding was witnessed by Richard and Elizabeth Hubbard  (signed chairs from Hubbard can be seen in Cotton's book) It's hardly surprising that he grew up to be a chair maker.  Compare with No 91.

© William Sergeant 2019

John Bray, Bourne stamped medium bow back Lincolnshire Windsor armchair with turned underarm supports, 8 long spindles, 2 x 3 underarm spindles, ring & cove front leg turnings with single lower ring, plain back legs, & H stretcher

WS 188 John Bray of Bourne

When this chair was put up for auction in the south of the county, the auctioneer quite rightly pointed out the impressed mark on both edges of the seat which read "BRAYBOURN MAKER". Anyone who read these auction notes would assume that the name of the chairmaker was Braybourn. This perplexed me as I had never come across this maker before. However after a little research it became evident that the maker was in fact John Bray of Bourne.

The design of the chair is typical of the second period, namely with turned stretchers and turned underarm supports with the back support of all spindles. The seat is of elm and all components above the seat of ash; there are four legs of beech with ash stretchers. At some stage it had been lowered but I have had the legs restored to their original height. The vendor stated that it had been in their family for 4 generations in the Fens around the town of March. In the past I have seen identical chairs in auctons in the south of the county but didn't know who had made them as they were not signed.

I believe that John Bray was born about 1786 to parents Edward and Elizabeth; started his apprenticeship about 1800 and so freed about 1807. The timing would appear right for his marriage to Mary Ann Bannister in 1809 at St John the Bapist Church in Peterborough. It would appear that he is the same person who was named as a creditor of Elizabeth Veasey of Deeping Fen, where he was described as a turner of Bourn by the London Gazette in 1814. The records indicate that there was only one son, John, born in Bourne in 1817. He also is listed in the Kesteven Militia Ballot of 1824 and is designated a turner and chairmaker of Bourn. He is listed in Pigot's Directory of 1828 working in West St. and a similar mention is made in Pigot's 1835 edition. He voted in the Bourn election of 1841 and in the census of the same year he is living with his wife Mary in West St. Bourn. In the census of 1851 he is given as a retired turner and a proprietor of houses and his birthplace is given as Peterborough. John Bray is noted as being buried on 6 March 1875 at the age of 81 when he is described as a yeoman.

WS 187 Bray Bourn Maker stamp

© William Sergeant & Julian Parker 2019

This chair featured in the Regional Furniture Society Newsletter No.70 Spring 2019, where you will find more information about John Bray, and his brother Benjamin Bray of Holbeach.

14

Windsor armchair, signed BRAYBOURN MAKER, so made in the workshop of John Bray of Bourne. Notice that it is of identical pattern to No. 27. It is the only known signed chair by Bray.

William Sergeant and Julian Parker's notes on Bray appeared in the RFS Spring 2019 Newsletter No 70.

16

Windsor armchair, signed G WILSON GRANTHAM. George Wilson was the son of John (chair No. 26) whose workshop produced large amounts of chairs in the mid-Victorian period in Grantham.

20

Windsor armchair, unsigned.

25

Windsor armchair - signed MARSH SLEAFORD, so made in the workshop of Thomas Marsh, or by his son James, between 1810 - 1860 in the town of Sleaford. All components made of ash wood.